This is a well translated history of Stalin personal life from her own perspective written using the literature style of writing letters to a friend, which are sketches depicting her relationship with her father at different stages of her life. The first one depicts the death of Stalin in which she vividly describes the dynamics between Stalin associate (Beria etc...) I have th...(展开全部)

斯韦特兰娜·阿利卢耶娃，1926年生于苏联，斯大林之女。1949年毕业于莫斯科大学。曾在莫斯科大学、苏联科学院语言文学所、莫斯科外文书籍出版社等单位工作。主要从事美国史、语言学等方面的研究、翻译工作。1962年皈依东正教，1967年经印度逃离苏联去美国。主要著作有《致友人的二十封信》、《仅仅一年》和《重访祖国》等。

斯韦特兰娜·阿利卢耶娃，1926年生于苏联，斯大林之女。1949年毕业于莫斯科大学。曾在莫斯科大学、苏联科学院语言文学所、莫斯科外文书籍出版社等单位工作。主要从事美国史、语言学等方面的研究、翻译工作。1962年皈依东正教，1967年经印度逃离苏联去美国。主要著作有《致友人的二十封信》、《仅仅一年》和《重访祖国》等。

Bringing together "Writing on the Wall," composed some ten years after H.D's stay in Vienna, and "Advent," a journal she kept at the time of her analysis there, Tribute to Freud offers a rare glimpse into the consulting room of the father of psychoanalysis. It may also be the most intimate of H.D.'s works.

“My bat-like thought-wings would beat painfully in that sudden searchlight,” H.D. writes in Tribute to Freud, her moving memoir. Compelled by historical as well as personal crises, H.D. underwent therapy with Freud during 1933-34, as the streets of Vienna were littered with tokens dropped like confetti on the city stating “Hitler gives work,” “Hitler gives bread.” Having endure...(展开全部)

R.O.布莱克曼，美国著名插画家，写过七本生动有趣的小说。1953年出版处女作《女士的把戏》，并以自由插画师的身份为《纽约时报》、《财富》、《滚石》、《Elle》等出版物创作插画，其作品屡登《纽约客》的封面。布莱克曼的插画作品风格独特，令人过目不忘，曾经在纽约、巴黎、柏林和慕尼黑展出。 他还创立了动画工作室Ink Tank，并经营二十七年之久，将伊戈尔·斯特拉文斯基的《士兵的故事》改编为动画电影并一举获得1983年的艾美奖。 在布莱克曼获得的众多荣誉中，特别值得一提的是他于1999年加入“艺术指导协会名人堂”(Art Directors Club Hail of Fame)。另外，2003年纽约现代艺术博物馆还为他的动画电影举办了个展。

R.O.布莱克曼，美国著名插画家，写过七本生动有趣的小说。1953年出版处女作《女士的把戏》，并以自由插画师的身份为《纽约时报》、《财富》、《滚石》、《Elle》等出版物创作插画，其作品屡登《纽约客》的封面。布莱克曼的插画作品风格独特，令人过目不忘，曾经在纽约、巴黎、柏林和慕尼黑展出。 他还创立了动画工作室Ink Tank，并经营二十七年之久，将伊戈尔·斯特拉文斯基的《士兵的故事》改编为动画电影并一举获得1983年的艾美奖。 在布莱克曼获得的众多荣誉中，特别值得一提的是他于1999年加入“艺术指导协会名人堂”(Art Directors Club Hail of Fame)。另外，2003年纽约现代艺术博物馆还为他的动画电影举办了个展。

Whether he's projecting holographs into a gallery space or inviting viewers to gaze at the sky through a hole in the roof, James Turrell is perpetually asking us to "go inside and greet the light" - evoking his Quaker upbringing. In fact, all of Turrell's work has been influenced by his life experiences with aviation, science, and psychology, and as a key player in Los Angeles'...(展开全部)

The only comprehensive volume on James Turrell is back in print―from early prints and light projections to his monumental Roden Crater project This definitive book illuminates the origins and motivations of James Turrell’s incredibly diverse and exciting body of work―from his Mendota studio days to his monumental work-in-progress Roden Crater. Whether projecting shapes on a fla...(展开全部)